-40%

65"x 65" Giant RARE HERZL PAINTING Hebrew PICTORIAL CARPET Israel JEWISH Judaica

$ 102.96

Availability: 66 in stock
  • Religion: Judaism
  • Condition: Very good condition. The canvas is intact but looks somewhat fragile. ( Please watch the scan for a reliable AS IS scan )
  • Country of Manufacture: Israel
  • Country/Region of Manufacture: Israel

    Description

    DESCRIPTION
    :
    Up for auction is an ULTRA RARE EXCEPTIONAL HERZL FIND. It's a literaly GIANT around 65" x 65" Original PICTORIAL WALL CARPET.  HERZL impressive image is painted on a GIANT light CANVAS . The PIECE is quite likely still unfinished but yet IMPRESSIVE enough to be hanged on every wall of HERZL collector or JEWISH INSTITUTION.  The purpose of this PICTURE WALL CARPET is unknown. It was painted by the deceased Israeli painter JACOB BRESLAV. The piece is of such unusual size that taking its pictures for this listing was quite difficult and complicated. Paint on Canvas.
    Unusual and impressive dimensions around 65" x 65" . Very good condition. The canvas is intact but looks somewhat fragile.
    ( Please watch the scan for a reliable AS IS scan ) W
    ill be sent carefuly folded in a special protective rigid sealed packaging.
    AUTHENTICITY
    : The PIECE is fully guaranteed ORIGINAL , NOT a reproduction , It holds a life long GUARANTEE for its AUTHENTICITY and ORIGINALITY.
    PAYMENTS
    :
    Payment method accepted : PAYPAL
    & All credit cards
    .
    SHIPPING
    :
    Shipp worldwide via registered airmail is $ 25 .
    W
    ill be sent carefuly folded in a special protective rigid sealed packaging.
    Handling around 5 days after payment.
    Theodor Herzl (Hebrew: בנימין זאב הרצל‎ (Binyamin Ze'ev Herzl)) (May 2, 1860–July 3, 1904) was an Austrian Jewish journalist who founded modern political Zionism. Herzl was born in Pest (today the eastern half of Budapest, then a separate city) to a German-speaking family originally from Zemun (now in Serbia but then in Hungary). When Theodor was 18 his family moved to Vienna. There, he studied law, but he devoted himself almost exclusively to journalism and literature, working as a correspondent for the Neue Freie Presse in Paris, occasionally making special trips to London and Istanbul. Later, he became literary editor of Neue Freie Presse,and wrote several comedies and dramas for the Viennese stage. As a young man, Herzl was engaged in a Burschenschaft association, which strove for German unity under the motto Ehre, Freiheit, Vaterland ("Honor, Freedom, Fatherland"), and his early work did not focus on Jewish life. His work was of the feuilleton order, descriptive rather than political. In spite of his Jewish ethnicity, Herzl was an avowed atheist.As Paris correspondent for Neue Freie Presse, Herzl followed the Dreyfus Affair, a notorious anti-Semitic incident in France in which a French Jewish army captain was falsely convicted of spying for Germany. He witnessed mass rallies in Paris following the Dreyfus trial where many chanted "Death to the Jews!" Herzl came to reject his early ideas regarding Jewish emancipation and assimilation, and to believe that the Jews must remove themselves from Europe and create their own state.In June, 1895, he wrote in his diary: "In Paris, as I have said, I achieved a freer attitude toward anti-Semitism... Above all, I recognized the emptiness and futility of trying to 'combat' anti-Semitism." In Der Judenstaat he writes: "The Jewish question persists wherever Jews live in appreciable numbers. Wherever it does not exist, it is brought in together with Jewish immigrants. We are naturally drawn into those places where we are not persecuted, and our appearance there gives rise to persecution. This is the case, and will inevitably be so, everywhere, even in highly civilised countries—see, for instance, France—so long as the Jewish question is not solved on the political level. The unfortunate Jews are now carrying the seeds of anti-Semitism into England; they have already introduced it into America."From April, 1896, when the English translation of his Der Judenstaat (The State of the Jews) appeared, Herzl became the leading spokesman for Zionism. Herzl complemented his writing with practical work to promote Zionism on the international stage. He visited Istanbul in April, 1896, and was hailed at Sofia, Bulgaria, by a Jewish delegation. In London, the Maccabees group received him coldly, but he was granted the mandate of leadership from the Zionists of the East End of London. Within six months this mandate had been approved throughout Zionist Jewry, and Herzl traveled constantly to draw attention to his cause. His supporters, at first few in number, worked night and day, inspired by Herzl's example. In June of 1896, he met for the first time with the Sultan of Turkey, but the Sultan refused to cede Palestine to Zionists, saying, "if one day the Islamic State falls apart then you can have Palestine for free, but as long as I am alive I would rather have my flesh be cut up than cut out Palestine from the Muslim land."In 1897, at considerable personal expense, he founded Die Welt of Vienna and planned the First Zionist Congress in Basel. He was elected president, (a position he held until his death in 1904), and in 1898 he began a series of diplomatic initiatives intended to build support for a Jewish country. He was received by the German emperor on several occasions, was again granted an audience by the Ottoman emperor in Jerusalem, and attended The Hague Peace Conference, enjoying a warm reception by many other statesmen. In 1902–03 Herzl was invited to give evidence before the British Royal Commission on Alien Immigration. The appearance brought him into close contact with members of the British government, particularly with Joseph Chamberlain, then secretary of state for the colonies, through whom he negotiated with the Egyptian government for a charter for the settlement of the Jews in Al 'Arish, in the Sinai Peninsula, adjoining southern Palestine. On the failure of that scheme, which took him to Cairo, he received, through L. J. Greenberg, an offer (Aug., 1903) on the part of the British government to facilitate a large Jewish settlement, with autonomous government and under British suzerainty, in British East Africa. At the same time, the Zionist movement being threatened by the Russian government, he visited St. Petersburg and was received by Sergei Witte, then finance minister, and Viacheslav Plehve, minister of the interior, the latter of whom placed on record the attitude of his government toward the Zionist movement. On that occasion Herzl submitted proposals for the amelioration of the Jewish position in Russia. He published the Russian statement, and brought the British offer, commonly known as the "Uganda Project," before the Sixth Zionist Congress (Basel, August 1903), carrying the majority (295:178, 98 abstentions) with him on the question of investigating this offer, after the Russian delegation stormed out. In 1905 after investigation the Congress decided to decline the British offer and firmly committed itself to a Jewish home land in the historic Land of Israel.Herzl did not live to see the rejection of the Uganda plan; he died in Edlach, Lower Austria in 1904 of heart failure at age 44. His will stipulated that he should have the poorest-class funeral without speeches or flowers and he added, "I wish to be buried in the vault beside my father, and to lie there till the Jewish people shall take my remains to Palestine". In 1949 his remains were moved from Vienna to be reburied on Mount Herzl in Jerusalem Der Judenstaat (The Jewish State, 1896) written in German, was the book that announced the advent of Zionism to the world. It is a pamphlet-length political program. His last literary work, Altneuland (in Eng. The Old New Land), is devoted to Zionism. The author occupied his free time for three years in writing what he believed might be accomplished by 1923. It is less a novel, though the form is that of romance, than a serious forecasting of what can be done when one generation shall have passed. The keynotes of the story are the love for Zion, the insistence upon the fact that the changes in life suggested are not utopian, but are to be brought about simply by grouping all the best efforts and ideals of every race and nation; and each such effort is quoted and referred to in such a manner as to show that Altneuland ("Old-New land"), though blossoming through the skill of the Jew, will in reality be the product of the benevolent efforts of all the members of the human family. Herzl envisioned a Jewish state which combined both a modern Jewish culture with the best of the European heritage. Thus a Palace of Peace would be built in Jerusalem, arbitrating international disputes—but at the same time the Temple would be rebuilt, but on modern principles. He did not envision the Jewish inhabitants of the state being religious, but there is much respect for religion in the public sphere. Many languages are spoken—Hebrew is not the main tongue. Proponents of a Jewish cultural rebirth, such as Ahad Ha'am were critical of Altneuland. In Altneuland Herzl did not foresee any conflict between Jews and Arabs. The one Arab character in Altneuland, Reshid Bey, who is one of the leaders of the "New Society", is very grateful to his Jewish neighbors for improving the economic condition of Palestine and sees no cause for conflict. All non-Jews have equal rights, and an attempt by a fanatical rabbi to disenfranchise the non-Jewish citizens of their rights fails in the election which is the center of the main political plot of the novel. Altneuland was written primarily for the world, not for the Zionists. Herzl wanted to win over non-Jewish opinion for Zionism. In his diary he wrote that land in Palestine was to be gently expropriated from the Palestinian Arabs and they were to be worked across the border "unbemerkt" (surreptitiously), e.g. by refusing them employment. Herzl's draft of a charter for a Jewish-Ottoman Land Company (JOLC) gave the JOLC the right to obtain land in Palestine by giving its owners comparable land elsewhere in the Ottoman empire. According to Walid Khalidi this indicates Herzl's "bland assumption of the transfer of the Palestinian to make way for the immigrant colonist."The name of Tel Aviv is the title given to the Hebrew translation of Altneuland by the translator, Nahum Sokolov. This name, which comes from Ezekiel 3:15, means tell—an ancient mound formed when a town is built on its own debris for thousands of years—of spring. The name was later applied to the new town built outside of Jaffa, which went on to become the second-largest city in Israel. Nearby is Herzlia, named in honor of Herzl. Herzl's grandfathers, both of whom he knew, were more closely related to traditional Judaism than his parents, yet two of his paternal grandfather's brothers and his maternal grandmother's brother exemplify complete estrangement and rejection of Judaism on the one hand, and utter loyalty and devotion to Judaism and Eretz Israel. Herzl's paternal grandfather Simon Loeb Herzl, reportedly attended the Sephardic Zionist Rabbi Judah Alkalai's synagogue in Semlin, Serbia, and the two frequently visited. Grandfather Simon Loeb Herzl "had his hands on" one of the first copies of Alkalay's 1857 work prescribing the "return of the Jews to the Holy Land and renewed glory of Jerusalem." Contemporary scholars conclude that Herzl's own implementation of modem Zionism was undoubtedly influenced by that relationship. Herzl’s grandparents' graves in Semlin can still be visited. Alkalai himself, was witness of rebirth of Serbia from Otoman rule in early and mid 19th century and was inspired by Serbian uprising and re-creation of Serbia. Jacob Herzl (1835-1902), Theodor's father, was a highly successful businessman. Herzl's mother, Jeanette (n?e Diamant) was a handsome and wise woman. She took pride in her son, but did not have a successful relationship with her daughter-in-law. Herzl had one sister, Pauline, a year older than he was, who died suddenly on February 7, 1878 of typhus. Theodor lived with his family in a house next to the Doh?ny Street Synagogue (formerly known as Tabakgasse Synagogue) located in Belv?ros, the inner city of the historical old town of Pest, in the eastern section of Budapest. The remains of Herzl's parents and sister were re-buried on Mount Herzl in Jerusalem. In 1889 he married Julie Naschauer, daughter of a wealthy Jewish businessman in Vienna. The marriage was unhappy, although three children were born to it. Herzl had a strong attachment to his mother, who was unable to get along with his wife. These difficulties were increased by the political activities of his later years, in which his wife took little interest.All three children died tragically. Pauline suffered from mental illness and drug addiction. She died in 1930 at the age of 40, apparently of a morphine overdose. Hans, a converted Catholic, committed suicide (gunshot) the day of sister Pauline's funeral. He was 39. In 2006 the remains of Pauline and Hans were moved from Bordeaux, France, and placed alongside their father.,The youngest daughter, Trude Margarethe, (officially Margarethe, 1893-1943) married Richard Neumann. He lost his fortune in the economic depression. He was burdened by the steep costs of hospitalizing Trude, who was mentally ill, and was finding it difficult to raise the money required to send his son Stephan, 14, to a boarding school in London. After spending many years in hospitals, Trude was taken by the Nazis to Theresienstadt where she died. Her body was burned.Trude's son (Herzl's only grandchild), Stephan Theodor Neumann (1918-1946) was sent to England, 1937-1938, for his safety, as rabid Austrian anti-Semitism grew. In England, he read extensively about his grandfather. Stephan became an ardent Zionist. He was the only Herzl to be a Zionist. Anglicizing his name to Stephen Norman, during WWII, Norman enlisted in the British Army rising to the rank of Captain in the Royal Artillery. In late 1945 and early 1946, he took the opportunity to visit the British Mandate of Palestine "to see what my grandfather had started." He wrote in his diary extensively about his trip. What impressed him the most was that there was a "look of freedom" in the faces of the children, not like the sallow look of those from the concentration camps of Europe. He wrote upon leaving Palestine, "My visit to Palestine is over... It is said that to go away is to die a little. And I know that when I went away from Erez Israel, I died a little. But sure, then, to return is somehow to be reborn. And I will return." Discharged in Britain he took a minor position with a British Economic and Scientific mission in Washington, D.C. Autumn, 1946, he learned that his family had been exterminated. He became deeply depressed over the fate of his family and the seeming eternal and continuing suffering of the Jewish survivors of the Holocaust languishing in European Displaced persons camp. Unable to endure the suffering any further, he jumped from the Massachusetts Avenue Bridge in Washington, D.C. to his death. Norman was buried by the Jewish Agency in Washington, D.C. His tombstone reads simply, Stephen Theodore Norman, Captain Royal Artillery British Army, Grandson of Theodore Herzl, April 21, 1918 - November 26, 1946. Norman was the only member of Herzl's family to have been to Palestine. He loved the land and the people. A major Zionist effort is underway to return the last descendant and only Zionist in Herzl's family to be reburied with his family on Mt. Herzl on December 5, 2007A pictorial carpet, picture carpet, tableau rug, carpet tableau or rug tableau (Persian: تابلو فرش) is an ornamental rug specially prepared for hanging on room and hall walls for decoration. The designs and samples on pictorial carpets are completely different from those on common floor rugs. Pictorial carpets are generally made of silk but they have also been made from wool. Pictorial carpets are usually framed to sell and use. Contents 1 Description 2 Themes 3 See also 4 References Description[edit] Effect of Mahmoud Farshchian The very concept and expectations of Persian rugs slowly started to change over the past 25 years. The original tableau rug, also known as pictorial carpet is not known when it was weaved together but some of the old rugs back in 19th & 20th century show that the similar type design were used such as hunting scene in Isfahan or Qum carpet as well as floral design in Isfahan and Tabriz carpet. Also picturesque scenes from ancient Persia showing the king and his wife is another example. After the 1979 revolution in Iran, the whole industry started to change and many of the original patterns which were famous in Iran were exported to many countries which they have started producing similar products with much lower quality such as China, Turkish, Afghanistan, India etc. and unfortunately selling them in the global market known as Persian design carpets. This have hurt the industry significantly which the export of the Persian rugs has been reducing year by year after the revolution. At the same time a new trend slowly started to take shape as part of the Persian rug culture and Iranian came to a conclusion since they are best known carpet weaver and the oldest known carpet maker in the world & modern society, why not to re-produce some of the most famous, well known and rare art works from across the globe in the new product known as “tableau rug”. What is known is that now this is a new trend in the ancient world of Persian rug. Pictorial carpets are being woven exactly the same way as the Persian rug has been made over the past 2500 years so there is no different in quality. The main different is that in pictorial carpet, there is not the ancient design and it always has a picture or scenery that are much more colorful with many different scenes. They can be framed the same way as an art work or painting and they are designed to be hung on the wall.**** בשבוע שעבר נפטר הצייר תושב העיר, יעקב ברסלב. בן 82 היה במותו. ברסלב נולד בישראל בשנת 1937, הוא היה דור חמישי בארץ. הוא בוגר המכון לאמנות בסמינר הקיבוצים וכן למד ציור אצל מרסל ינקו ופיסול אצל מיכאל גרוס. לאורך השנים הוא לימד ציור בבית הספר קרול וכן בסטודיו הפרטי שלו, ניהל בית ספר לאמנות בעיר והציג תערוכות בארץ ובחו"ל. ברסלב היה חבר בעמותת אומני פתח תקווה. הוא נפטר מהסתבכות של דלקת ריאות. "לפני כמה שנים הוא הציג תערוכה בגרמניה וזכה לשבחים גדולים", מספרת אחותו חדווה גפן. באחרונה הוא אושפז בבית רבקה. הוא היה אחינו הקטן והיינו בקשר מאוד טוב, הוא היה התינוק שלנו. כשהבאנו לו בלוק ציור לבית רבקה הוא מאוד התרגש. לצד הציור הוא היה גם מפסל, מאייר, רושם וכן עשה בובות לתיאטרון בובות. הוא היה אמן בכל נשמתו, זה מה שנתן לו את הטעם בחיים, כל עולמו היה בתחומים האלה ואהבנו אותו מאוד, הוא היה גאווה למשפחה והיה מאוד מאושר, הוא היה צעיר בנפשו". האח משה מוסיף: "בראש ובראשונה הוא היה צייר, אמן ואוהב אדם. כולם אהבו אותו, הוא היה אדם ישר כמו סרגל והשתדל מאוד להשרות מרוחו הטובה בכל מקום בו נמצא. היה לו כישרון מיוחד ליצור קשר עם אנשים והוא לימד ילדים בגיל שלוש ועד מבוגרים בגיל 90. הייתה לו סבלנות רבה מאוד וטוב ליבו ניכר בכל מקום". גם אריה ימיני, מנהל היכל התרבות, הכיר היטב את ברסלב ז"ל. "הוא היה דמות מאוד צבעונית והיו לו דברים מאוד מיוחדים", נזכר ימיני, "במשך שנים הוא ייצר בפתח תקווה ברחוב סלומון 6 וכשהיינו עוברים ברחוב, היינו רואים את הדמויות והעבודות שלו במרפסת ואי אפשר היה להתעלם מהעבודות שלו". האמנית רבקה רוזנטל: "יעקב היה בראש וראשונה צייר וכך אני מאמינה שהיה רוצה שיזכרו אותו. הוא צייר עשרות שנים ולנושא הציור הוא התמסר טוטאלית. הוא אהב מאוד ללמד ילדים והם אהבו להגיע לחוגי הציור שלו. האופי העדין והאדיב שלו היה אהוב הן על ידי ילדים והן על ידי מבוגרים. הוא היה חייכן ומתעניין בזולת והתכונה הבולטת ביותר שלו הייתה הומור ואיתו הוא אהב לספר בדיחות ולחרוז חרוזים". רוזנטל מספרת על חבר טוב ונאמן: "הוא היה ישר דרך ותמיד אהב לעזור לכל מכר נזקק ובעדינות רבה נכנס לליבו. הוא אהב לחיות בגפו, עם עצמו, ולנצל את שעותיו בכל הקשור לציור. הציורים שלו היו מאוד מתאימים לאופי שלו. הוא היה מצייר בצבעים רכים ועדינים, צבעי פסטל של ורוד ותכלת. הוא צייר מפגשי אנשים ותמיד העבודות שלו שידרו אווירה אופטימית והוא מאוד יחסר לנו ולקרוביו", היא מסכמת.*****Jacob Breslav, painter, born 1937, Israel. Education Oranim Art Institute, Tivon, with Alexander Bogen, Moshe Rosenthalis and Itsik Yoresh WIZO School, Tel Aviv Painting with Marcel Yanko and sculpture with Michael Gross Teaching Art and handicrafts in schools   EBAY4949